#REVOICE 3 CHANGES MONO FILES TO STEREO FULL#
#REVOICE 3 CHANGES MONO FILES TO STEREO PRO#
#REVOICE 3 CHANGES MONO FILES TO STEREO SOFTWARE#

No longer do we have to move each phrase of each vocal track left and right manually (though Revoice allows you to do so if you wish) or use an Elastic Audio / Flex Time type function (which Revoice also includes under the guise of the РІР‚ВWarp PointРІР‚в„ў tool). So, with a little practice and patience you can really go nuts with what Synchro Arts has created. Not only does this make it sound like 2 different takes of the same harmony, but it helps prevent any phase problems. You can then double the double you just created and pan the new harmony and its double however you want them (or choose a stereo double preset if you just want a hard left and hard right effect).

#REVOICE 3 CHANGES MONO FILES TO STEREO FULL#

Once you create this artificial harmony, simply run it through a Doubler process with the РІР‚СљLoose TimingРІР‚Сњ preset to pop out a much more realistic sounding harmony РІР‚вЂњ full blown computer wizardry. Well, this is where the Doubler function shines through once again. Big whoop, right? To my ears at least, it is very obvious when this was done to create an artificial harmony and being a typical artificial harmony, it obviously doesnРІР‚в„ўt sound too natural. So, like you would in any other program, duplicate your track within Revoice and manually adjust the pitch up or down to create a harmony with your main track. One cool little trick I came across was the ability to make very solid sounding artificial harmonies, that I can see being a godsend for many. Being that this song not only had a weird tuning, but was also heavily influenced by old jazz records, transparency was vital as far as tuning the lead vocal was concerned, to keep things sounding natural. Luckily, I was at the tuning stage of this project which I normally do near the middle or end of the process РІР‚вЂњ after the artist has approved the comps and general mix. ItРІР‚в„ўs actually also the song I used to demonstrate Acustica AudioРІР‚в„ўs Cobalt, which is a song by Jamiah Hudson called РІР‚ВTell MeРІР‚в„ў, so if it sounds familiar thatРІР‚в„ўs why. Being that I had to tune strictly based on my ears, I figured this would be a perfect candidate.

I wanted to start with the challenge I mentioned earlier РІР‚вЂњ tuning the D Major tuned up Р’С step song. After spending time with the main application though, I would definitely appreciate being able to access these plugins from other DAWS.

#REVOICE 3 CHANGES MONO FILES TO STEREO PRO#

There are РІР‚СљQuick APTРІР‚Сњ and РІР‚СљQuick DoublerРІР‚Сњ plugins for AAX / Pro Tools but, since I use Pro Tools so little (keeping my PT iLok at another studio) I was unable to test these.

#REVOICE 3 CHANGES MONO FILES TO STEREO SOFTWARE#

Designed and built in Los Angeles, California U.S.A.Synchro Arts have used every advantage offered by the standalone architecture design choice to make the ReVoice Pro 3 the most powerful software possible.Color РІР‚вЂњ raw brushed aluminum with clear coat.Premium Analog Devices JFET input section.Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP.

MIDI in/out over TRS via the EXP jackР’В with compatible MIDI to TRS conversion box (not included).

Presets available via external 4-Preset switch or MIDI.

Expression pedal control over all parameters simultaneously.

Multi-function EXP jack for optional expansion: MIDI, Preset Switch, Expression Pedal or Tap Switch with compatible hardware.

Switchable input / output headroom level for Guitar or Synth / Line level.

Digitally controlled Analog mix control.

Switchable Half Speed and Auto Swell for advanced textures.

Choice to sweep through Intervals smoothly or hard step for dramatic pitch effects.

Our Original Glide Mode slides between pitches at the speed you choose.

Unique Keyboard Control putting a Live Quartet Under your Fingertips.

4 Delay Configurations with unique Feedback Routing (520 mS max delay time).

Chromatic or Key Driven Harmony with Selectable Scale Types.

Micro Tune control creates gentle chorus-like detuning, classic studio fattening, and extreme warping.

Individual Controls for Pitch and Time Offset for each Voice (3 Voices Total).

Selectable Pitch Correction Types to ReVoice your Melodies in RealTime.

Revoice 3 changes mono files to stereo